My novelette, Wetwork, was the headliner of Black Static, Issue #52. Link to buy
here.
I was very excited slash shitting myself about its reception as I really went all out on it. When that works, it really works. And when it doesn't...y'know. But I figure it's always too easy to stay where you are, doing what you do, especially when it's going ok. Writing every new story should be a challenge, but it should be a
different challenge. I've played it safe plenty of times in the past, but stories like Wetwork teach me and show me what I could - and probably should - be doing instead. In this case: True Detectives meets Alien meets 28 Days Later. In mardy Doric and Glaswegian.
Artwork © Ben Baldwin
Thankfully, it's had a few great reviews already:
“...Some may find the phonetically-written Scottish drawls of various
characters to be a little hard to “ken” (understand), but Wetwork is
more than worth the effort, as it builds to a stunningly effective,
tense, skin-crawling and “shout out loud” shock of a finale. This one’s a
stunner.”
See full review
here
©
GARETH JONES
“Wetwork, by Carole Johnstone, is a terrifying view of police work in Glasgow."
©
ELLEN DATLOW SF Editors Picks
“...Johnstone pens a tale that is both horrific and human, emotional and
devastating, but infused with a quiet, mounting dread. Utilising
phonetic Scots speech in the dialogue (both Glaswegian and Doric), she
grounds her tale in the grime of the city, while her sharp, economic but
descriptive prose pulls the story inexorably towards its gut-punch
ending. It’s a powerful start to the issue and sets a high bar for those
following.”
See full review
here
©
PAUL MICHAELS
“This novelette sure needs working at to start off with, but your work is
half the battle towards something great. The Glaswegian dialect
dialogue needs to be transcended but half its power is its direct
meaning which is eventually easy to absorb...Nothing can do justice to the onward extended
compulsion of the whole story but particularly of its closing scenes...And the end-revelation, too, is devastating.
Go to it! Work at this work! And it will work hard back at you, with grinding relentlessness.”
See full review
here
©
D. F. LEWIS
The Wildhearts also very generously allowed me to use lyrics from one of their brilliant songs as an epigraph to the story - which was a huge first for me, made all the more special because I've been in love with them since I was about sixteen years old.
Check them out - best decision you'll ever make!